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  • Added for You - Hero's Journey (Monomyth) : The Sacred Meeting Between Every Hero and His / Her Mentor

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    template upon which you can superimpose your situational story.

    and more...

    The SACRED MEETING between Hero and MENTOR

    One element of the Hero's Journey (often during the stage

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    The Hero's Journey is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188 stage template.

    Understanding this template is a priority for story or screenwriters.

    There is only one story.

    The Hero's Journey:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharsis).

    d) Gives you a universal structural template upon which you can superimpose your situational story.

    and more...

    The SACRED MEETING between Hero and MENTOR

    One element of the Hero's Journey (often during the stage

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    People who own a property are always in better position as far as loan availing is concerned as they can always take any amount of loan against their property. However to avail loan at low cost is all tog
    ee URL below) are based on this 188 stage template.

    Understanding this template is a priority for story or screenwriters.

    There is only one story.

    The Hero's Journey:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharsis).

    d) Gives you a universal structural template upon which you can superimpose your situational story.

    and more...

    The SACRED MEETING between Hero and MENTOR

    One element of the Hero's Journey (often during the stage

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    /b>

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharsis).

    d) Gives you a universal structural template upon which you can superimpose your situational story.

    and more...

    The SACRED MEETING between Hero and MENTOR

    One element of the Hero's Journey (often during the stage

    How to Grow Your Very Own Money Tree
    Okay. So money doesn't really grow on trees. Unless you plant your own Mighty Money Tree, that is!Imagine that only a few moments ago you planted a young sapling in your back yard. You gave it just
    our acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharsis).

    d) Gives you a universal structural template upon which you can superimpose your situational story.

    and more...

    The SACRED MEETING between Hero and MENTOR

    One element of the Hero's Journey (often during the stage

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    template upon which you can superimpose your situational story.

    and more...

    The SACRED MEETING between Hero and MENTOR

    One element of the Hero's Journey (often during the stage of the Meeting with the Supernatural Aid / Mentor) is the common frequency of a Sacred Meeting between the Hero and Mentor. This occurs alone, often on the Mentor's turf and others frequently absent themselves from this meeting:

    In Wall Street (1987), Carl Fox takes Bud Fox aside when he comes to visit; his friends leave them alone.

    In Raiders of the Lost Ark (1981), Indy and Sallah and Indy and Marcus [sic, separate scenes] discuss the Ark alone (Marion plays with Sallah’s children).

    In Empire Strikes Back (1980), Yoda takes Luke back to his home where he debates whether to take on Luke as a trainee.

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