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  • Added for You - Hero's Journey (Monomyth): Getting to the Right Perspective

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    ictions, whereas if the Hero is unwilling, there tend to be a greater number of Pushes or Pulls forward.

    However, each Plot can be viewed as a Quest. For example, when the driver is the "New Self", the Quest is the search for that New Self. When the driver is "Escape form an Unwanted World," the driver is often the Quest for the key / strength / transformation to be able to leave that World.

    Learn more…

    The Complete 188

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    [From our deconstruction of hundreds of Hollywood blockbusters and sitcoms (see below for the URL of our Home Page) and our isolation and identification of more than 188 stages of the Hero's Journey that you need to know about...]

    The Hero's Journey is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the Hollywood movies we have deconstructed are based on this template.

    Understanding this template is a priority for story or screenwriters.

    The Hero's Journey:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.

    and more...

    Getting to the right perspective

    From our deconstruction of hundreds of successful Hollywood blockbusters and stories and our knowledge as writers, our thesis can be reduced to the following:

    a) The essence of story is transformation.

    b) The process of that transformation, at the root level, is the Hero's Journey.

    Moving on:

    a) There are a finite number of drivers that push (or pull) the transformation forward. For example, sometimes the driver is an Antagonism, sometimes it is the urge for a New Self etc.

    b) There are a finite number of transformations. For example, Rags to Riches, New Self, Tragedy etc.

    Each combination of the above produces its own variable Hero's Journey Plot. For example, if the Hero is willing, there tend to be a greater number of Obstacles and Interdictions, whereas if the Hero is unwilling, there tend to be a greater number of Pushes or Pulls forward.

    However, each Plot can be viewed as a Quest. For example, when the driver is the "New Self", the Quest is the search for that New Self. When the driver is "Escape form an Unwanted World," the driver is often the Quest for the key / strength / transformation to be able to leave that World.

    Learn more…

    The Complete 188

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    ate.

    Understanding this template is a priority for story or screenwriters.

    The Hero's Journey:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.

    and more...

    Getting to the right perspective

    From our deconstruction of hundreds of successful Hollywood blockbusters and stories and our knowledge as writers, our thesis can be reduced to the following:

    a) The essence of story is transformation.

    b) The process of that transformation, at the root level, is the Hero's Journey.

    Moving on:

    a) There are a finite number of drivers that push (or pull) the transformation forward. For example, sometimes the driver is an Antagonism, sometimes it is the urge for a New Self etc.

    b) There are a finite number of transformations. For example, Rags to Riches, New Self, Tragedy etc.

    Each combination of the above produces its own variable Hero's Journey Plot. For example, if the Hero is willing, there tend to be a greater number of Obstacles and Interdictions, whereas if the Hero is unwilling, there tend to be a greater number of Pushes or Pulls forward.

    However, each Plot can be viewed as a Quest. For example, when the driver is the "New Self", the Quest is the search for that New Self. When the driver is "Escape form an Unwanted World," the driver is often the Quest for the key / strength / transformation to be able to leave that World.

    Learn more…

    The Complete 188

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    umber of varied stories to be created.

    and more...

    Getting to the right perspective

    From our deconstruction of hundreds of successful Hollywood blockbusters and stories and our knowledge as writers, our thesis can be reduced to the following:

    a) The essence of story is transformation.

    b) The process of that transformation, at the root level, is the Hero's Journey.

    Moving on:

    a) There are a finite number of drivers that push (or pull) the transformation forward. For example, sometimes the driver is an Antagonism, sometimes it is the urge for a New Self etc.

    b) There are a finite number of transformations. For example, Rags to Riches, New Self, Tragedy etc.

    Each combination of the above produces its own variable Hero's Journey Plot. For example, if the Hero is willing, there tend to be a greater number of Obstacles and Interdictions, whereas if the Hero is unwilling, there tend to be a greater number of Pushes or Pulls forward.

    However, each Plot can be viewed as a Quest. For example, when the driver is the "New Self", the Quest is the search for that New Self. When the driver is "Escape form an Unwanted World," the driver is often the Quest for the key / strength / transformation to be able to leave that World.

    Learn more…

    The Complete 188

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    number of drivers that push (or pull) the transformation forward. For example, sometimes the driver is an Antagonism, sometimes it is the urge for a New Self etc.

    b) There are a finite number of transformations. For example, Rags to Riches, New Self, Tragedy etc.

    Each combination of the above produces its own variable Hero's Journey Plot. For example, if the Hero is willing, there tend to be a greater number of Obstacles and Interdictions, whereas if the Hero is unwilling, there tend to be a greater number of Pushes or Pulls forward.

    However, each Plot can be viewed as a Quest. For example, when the driver is the "New Self", the Quest is the search for that New Self. When the driver is "Escape form an Unwanted World," the driver is often the Quest for the key / strength / transformation to be able to leave that World.

    Learn more…

    The Complete 188

    Profitable Newsletter Advertising
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    ictions, whereas if the Hero is unwilling, there tend to be a greater number of Pushes or Pulls forward.

    However, each Plot can be viewed as a Quest. For example, when the driver is the "New Self", the Quest is the search for that New Self. When the driver is "Escape form an Unwanted World," the driver is often the Quest for the key / strength / transformation to be able to leave that World.

    Learn more…

    The Complete 188 stage Hero’s Journey and other story structure templates can be found at http://www.clickok.co.uk/

    You can also receive a regular, free newsletter by entering your email address at this site.

    Kal Bishop, MBA

    **********************************

    You are free to reproduce this article as long as no changes are made, the author's name is retained and the link to our site URL remains active.

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