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    tive voice.

    Looking back, I see now that my problem was that I write across various genres. For each type of writing, I have a different voice.

    How is that possible?

    In my own situation, I place myself into the main protagonist’s shoes, so I take on her personality f

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    As a relative newbie, other writers told me to find my ‘voice’. Once you’ve found your voice, they said, it will get easier to get published. But what is your ‘voice’? No one could say. What they did say was that I would know when I found it.

    Great, that really told me a lot!

    I even took a one-day workshop called “Finding your voice.” But I still didn’t find my voice, let alone have a better understanding of what it was.

    So instead I wrote. And I wrote, and I wrote. Then one day my writing buddy was critiquing a novel I’d recently begun. She looked over the top of the paper and said “I see you’ve finally found your voice.”

    Huh?

    It took me quite a while, close to two years in fact, but find my voice I did. Or maybe I should make that ‘voices’?

    Put simply, your voice is your style, your tone, the fashion of writing you feel most comfortable with. Your voice will carry throughout your story or novel. More than likely, readers will recognise it as being your own unique style.

    Editors may decide to buy your book because of it. Or they might decide not to, and all because of your distinctive voice.

    Looking back, I see now that my problem was that I write across various genres. For each type of writing, I have a different voice.

    How is that possible?

    In my own situation, I place myself into the main protagonist’s shoes, so I take on her personality fo

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    The growth and survival of the business in the dynamic environment as of today depends upon the development of new software. Organizations must be always in the lookout of new opportunities and exploiting the opportunities by creating new software and services. Therefore, it is needless to say that new product development holds the key for the survival of an organization.With so many new companies entering into the fray these days, it’s no surprise that there is a huge demand for Point of Sale Software. But sadly most fo
    p>

    I even took a one-day workshop called “Finding your voice.” But I still didn’t find my voice, let alone have a better understanding of what it was.

    So instead I wrote. And I wrote, and I wrote. Then one day my writing buddy was critiquing a novel I’d recently begun. She looked over the top of the paper and said “I see you’ve finally found your voice.”

    Huh?

    It took me quite a while, close to two years in fact, but find my voice I did. Or maybe I should make that ‘voices’?

    Put simply, your voice is your style, your tone, the fashion of writing you feel most comfortable with. Your voice will carry throughout your story or novel. More than likely, readers will recognise it as being your own unique style.

    Editors may decide to buy your book because of it. Or they might decide not to, and all because of your distinctive voice.

    Looking back, I see now that my problem was that I write across various genres. For each type of writing, I have a different voice.

    How is that possible?

    In my own situation, I place myself into the main protagonist’s shoes, so I take on her personality f

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    ked over the top of the paper and said “I see you’ve finally found your voice.”

    Huh?

    It took me quite a while, close to two years in fact, but find my voice I did. Or maybe I should make that ‘voices’?

    Put simply, your voice is your style, your tone, the fashion of writing you feel most comfortable with. Your voice will carry throughout your story or novel. More than likely, readers will recognise it as being your own unique style.

    Editors may decide to buy your book because of it. Or they might decide not to, and all because of your distinctive voice.

    Looking back, I see now that my problem was that I write across various genres. For each type of writing, I have a different voice.

    How is that possible?

    In my own situation, I place myself into the main protagonist’s shoes, so I take on her personality f

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    iting you feel most comfortable with. Your voice will carry throughout your story or novel. More than likely, readers will recognise it as being your own unique style.

    Editors may decide to buy your book because of it. Or they might decide not to, and all because of your distinctive voice.

    Looking back, I see now that my problem was that I write across various genres. For each type of writing, I have a different voice.

    How is that possible?

    In my own situation, I place myself into the main protagonist’s shoes, so I take on her personality f

    John T. Reed’s Views of Various Real Estate Investment Gurus
    You wake up in the middle of the night - unable to fall back to sleep, so you start flipping through the channels. Undoubtedly, you will come across a station - where a nicely dressed person in an exotic location is telling how rich he or she became selling real estate. Then you hear testimony after testimony from people stating how they too became rich by following the gurus advice. Depending on how your day was at work - you start contemplating calling and giving it a shot. I remember in the late 80’s, I almost signed up f
    tive voice.

    Looking back, I see now that my problem was that I write across various genres. For each type of writing, I have a different voice.

    How is that possible?

    In my own situation, I place myself into the main protagonist’s shoes, so I take on her personality for the life of the story. For example, in my Kelly and Tony Mystery Series, which are all first person POV comedy/crime/romance stories, Kelly Johnston is the main protagonist. She is a private investigator, gun savvy and street-wise. She won’t let men walk all over her, and she’s no lady.

    “As he backed me up against the wall, his lips covered mine before I could protest.

    I was gonna protest. Really I was!

    He swooped and my lips were once again occupied. Not that I’m complaining. See, we got this understanding, Tony and me, we sort of flirt a bit, do a bit of kissing – Tony’s a great kisser – then get on with the job.”

    On the other hand, if you were to read something else I’ve written, you would hear a different voice altogether. Here is the opening of “Arms of a Stranger” - my romantic suspense.

    “Kareena Ellis slowed for the traffic lights. She didn’t need this. Time was of the essence. She looked about. Everything seemed fine, calm.

    She tapped her fingers against the steering wheel. She would be okay, no need to panic, no reason to worry.

    A shadow came across her face, and Kareena

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